UNUSUAL KIND OF THE COMTEMPORARY ART - FREEZELIGHT

Идрисова Кристина

(г.о.Ступино, МБОУ СОШ №9, 8 класс)

И.И. Плигина

UNUSUAL KIND OF THE COMTEMPORARY ART - FREEZELIGHT
           Like any art drawing is changing, people are finding more and more opportunities to make drawings not only with a pencil and paint. So today we will talk about one of the most fashionable and interesting varieties of creativity that unites the younger generation is freezelight.
           Freezelight is an art of drawing with light in space. Similar images are created using a conventional camera. In its pure form-this is not quite a new direction of drawing light. After all, if you remember, it has always been held in high esteem pictures in the dark, which were made on long exposure, when the light sources that moved, create beautiful lines in the composition. This property of light was adopted by modern photographers and you can say "invented" a new direction, called freezelight.
          The first light artist is Pablo Picasso. His unimaginable and violent imagination allowed to be born a new direction, which only in 2002 received its further active development in Germany.
        Freezelight is a team art. To create the image you need at least two people: the photographer and myslider (person who draws). All the necessary tools for the realization of interesting paintings – just a source of light, camera and imagination. Another prerequisite is the dark or darkened enough room.

Light paintings can be compared to normal paintings. The camera would be the paper, and to extend this metaphor, the pens would be the fountain pen, just extremer since the effect of keeping the pen in one place when using a torch in light drawings would be ten times greater than with a normal fountain pen.

The main component, which every artist should know about, is that the longer the exposure, the more time there is for drawing with light.
The movement of friziera definitely have to be quick, skillful and accurate because time for reflection is not. That is why the whole picture or at least its approximate sketches should be thought out in advance and stay in the artist's head until the embodiment in life. Working tools there are countless. And although in most cases these are not professional tools, as the direction is new and has been actively developed, it is hoped that in the near future there will be special devices with which you can easily capture the beautiful ideas.

The simplest, and therefore widespread candles and lanterns. Convenient for drawing optical pointers and even children's lightsabers. More advanced in painting freezelight photographers have adapted in his work pieces of rope light and led strip.
          Rope light is a great tool for freezelight. An unusually wide palette of colors and shades of duralite opens limitless horizons for creativity to create colorful paintings. An important component of the success of duralite as a drawing tool – a large number of light sources. In duralite concluded 36 LEDs on one meter! This allows you to create three-dimensional freezelight, convex in the space.
Classification: luminography, light graffiti, etc . It is believed that professional freezelight is the art of creating apparent light images. However, abstract paintings can also be considered freezelight. In addition to light strips in the photos may be present people, household items, supplemented by new elements due to light.
Light graffiti-this direction is characterized as the art of creating light inscriptions and is especially popular among young people, because it gives new opportunities for self-expression. 

There are some important tips.

1. Be sure not to shine the torch directly in the camera during the long exposure since that would bleed out in the picture and mess up the final image. When shining directly into the camera, something like the picture above will come out and that is not how it should look like.

2. The location of where the image is taken is very important, since there should be no light source around, and no moving objects, etc. It is better not to do it in the city since this is the place with a lot of light sources and moving objects.

3. What to wear is very important, seriously, since in some pictures one wants to stand out and in others one doesn’t. Therefor the use of black and white t-shirts depending on the scene is important.

The set is very important when trying to do things like these. One either has to use a dark room, or wait for it to become night and do the light painting outside, which can look better when you try to use the set in your picture. A big area is necessary since the angle of the camera and the lens is wide.

Using the set in the final picture only functions outside. Not too much of the set should be visible though, since otherwise the contrast between the bright torch and the darkness is destroyed, as one can see in the second image.

At the same time, architectural objects do not deteriorate, thousands of cans of paint with harmful to the health of the artist are not sprayed, because graffiti can now be easily created in a safe way with the help of light. Laminography – a kind of freezelight, rather, one of its branches. This technique does not move the light source itself, but the camera relative to the light source. Laminography available in playback and one photographer.