Творческая работа по теме "Marilyn Monroe"

Муниципальное Автономное Общеобразовательное Учреждение

Гимназия № 56 г. Томска

             Творческая работа по английскому языку

                             по теме «Marilyn Monroe».

                                                                                                    Выполнила ученица 8 Е класса

                                                                                                                 Карпова Ульяна.

Томск – 2013

Marilyn Monroe(born Norma Jeane Mortenson; June 1, 1926 – August 5, 1962)[was an American actress, model, and singer, starring in a number of commercially successful motion pictures during the 1950s and early 1960s .

After spending much of her childhood in foster homes, Monroe began a career as a model, which led to a film contract in 1946 with Twentieth Century-Fox. Her early film appearances were minor, but her performances in The Asphalt Jungle and All About Eve (both 1950), drew attention. By 1952 she had her first leading role in Don't Bother to Knock[5] and 1953 brought a lead in Niagara, a melodramatic film noir that dwelt on her seductiveness. . Limited by typecasting, Monroe studied at the Actors Studio to broaden her range. Her dramatic performance in Bus Stop (1956) was hailed by critics and garnered a Golden Globe nomination. Her production company, Marilyn Monroe Productions, released The Prince and the Showgirl (1957), for which she received a BAFTA Award nomination and won a David di Donatello award. She received a Golden Globe Award for her performance in Some Like It Hot (1959). Monroe's last completed film was The Misfits (1961), co-starring Clark Gable with screenplay by her then-husband, Arthur Miller.The final years of Monroe's life were marked by illness, personal problems, and a reputation for unreliability and being difficult to work with. The circumstances of her death, from an overdose of barbiturates, have been the subject of conjecture.

1. Family and early life.

Marilyn Monroe was born on June 1, 1926, in the Los Angeles County Hospital  as Norma Jeane Mortenson (soon after changed to Baker), ts Pearl Baker. Monroe's birth certificate names the father as Martin Edward Mortensen with his residence stated as "unknown". The name Mortenson is listed as her surname on the birth certificate, although Gladys immediately had it changed to Baker, the surname of her first husband and which she still used. Martin's surname was misspelled on the birth certificate leading to more confusion on who her actual father was. Gladys Baker had married a Martin E. Mortensen in 1924, but they had separated before Gladys' pregnancy. Several of Monroe's biographers suggest that Gladys Baker used his name to avoid the stigma of illegitimacy. Mortensen died at the age of 85, and Monroe's birth certificate, together with her parents' marriage and divorce documents, were discovered. The documents showed that Mortensen filed for divorce from Gladys on March 5, 1927, and it was finalized on October 15, 1928. Throughout her life, Marilyn Monroe denied that Mortensen was her father. She said that, when she was a child, she had been shown a photograph of a man that Gladys identified as her father, Charles Stanley Gifford. She remembered that he had a thin mustache and somewhat resembled Clark Gable, and that she had amused herself by pretending that Gable was her father.

Gladys was mentally unstable and financially unable to care for the young Norma Jeane, so she placed her with foster parents Albert and Ida Bolender of Hawthorne, California, where she lived until she was seven. One day, Gladys visited and demanded that the Bolenders return Norma Jeane to her. Ida refused, as she knew Gladys was unstable and the situation would not benefit her young daughter. Gladys pulled Ida into the yard, then quickly ran back to the house and locked herself in. Several minutes later, she walked out with one of Albert Bolender's military duffel bags. To Ida's horror, Gladys had stuffed a screaming Norma Jeane into the bag, zipped it up, and was carrying it right out with her. Ida charged toward her, and their struggle split the bag apart, dumping out Norma Jeane, who wept loudly as Ida grabbed her and pulled her back inside the house, away from Gladys.In 1933, Gladys bought a house and brought Norma Jeane to live with her. A few months later, Gladys began a series of mental episodes that would plague her for the rest of her life. In My Story, Monroe recalls her mother "screaming and laughing" as she was forcibly removed to the State Hospital inNorwalk. Norma Jeane was declared a ward of the state. Gladys's best friend, Grace McKee, became her guardian. It was Grace who told Monroe that someday she would become a movie star. Grace was captivated by Jean Harlow, and would let Norma Jeane wear makeup and take her out to get her hair curled. They would go to the movies together, forming the basis for Norma Jeane's fascination with the cinema and the stars on screen. When Norma Jeane was 9, McKee married Ervin Silliman "Doc" Goddard in 1935, and subsequently sent Monroe to the Los Angeles Orphans Home (later renamed Hollygrove), followed by a succession of foster homes.[19] While at Hollygrove, several families were interested in adopting her; however, reluctance on Gladys' part to sign adoption papers thwarted those attempts. In 1937, Monroe moved back into Grace and Doc Goddard's house, joining Doc's daughter from a previous marriage. Due to Doc's frequent attempts to sexually assault Norma Jeane, this arrangement did not last long .

In 1947 Monroe had been released from her contract with 20th Century Fox. She then met with Hollywood pin-up photographer Bruno Bernard, who photographed her at the Racquet Club of Palm Springs; and it was at the Racquet Club where she met Hollywood talent agent Johnny Hyde.[30] In 1948, Monroe signed a six-month contract with Columbia Pictures and was introduced to the studio's head drama coach Natasha Lytess, who became her acting coach for several years. Monroe was soon cast in a major role in the low-budget musical Ladies of the Chorus (1948). Monroe was reviewed as one of the film's bright spots, although the film enjoyed only moderate success. During her short stint at Columbia, studio head Harry Cohnsoftened her appearance somewhat by correcting a slight overbite she had.